Playwright Lally Katz wrote Neighbourhood Watch as a vehicle for Robyn Nevin; the lead role of Ana, an ageing refugee from WW2 Hungary, has also been performed by Miriam Margolyes. In SoACT’s production, company veteran, Diana Lovett’s timing and characterisation skills propel this complex and rewarding drama, currently playing at The Basement Theatre, so effectively that I think her performance would stand alongside theirs comfortably. I would also venture that Diana invests Ana with a pathos and ‘everywoman’ quality that might be more difficult for her celebrity peers to achieve. Her performance is a joy!
Diana is ably supported by a great ensemble cast, standouts being Elena
Zacharia as Catherine and Charles Sykes as Ken, the twenty somethings grappling
with love, health, friendship and career issues in suburban Australia
Neighbourhood Watch is set in the year between Kevin
Rudd’s election as Prime Minister and Barack Obama’s as US President - a time
when its youngest characters dare to find cause for hope. The play depicts two
seemingly mismatched neighbours who form a friendship that enables each to heal
from past harsh experiences and re-learn trust.
Performed in the round, unusual for SoACT productions, clever use is
made of actors' non performing time to assist with prop, set and costume
movement. Ana’s reminiscences of her
past, vividly recounted to Catherine, are elegantly and evocatively realised, a
tribute to Michael Mitchell’s pacy sensitive direction and to the work of the
production team. Michael also ensures that the actors never favour any one bank
of audience members (I tested this by changing seats at interval). Some
interesting use of musical numbers enhances the narrative and the emotional
texture of the play which ranges from broadly comic lines contrasting men who
make quiche to those who favour their ‘sausages’ to poignant and frightening
depictions of death, near death and injury.
At over two hours in length, the writer/editor in me would have made a
few cuts to the text, but that is a minor quibble as the story arc earns that
duration with only a few scenes that might be considered extraneous.
If you’re a Wagga Wagga local I urge you to go and see Neighbourhood Watch for a really rich night at the theatre and to support some of your most talented and creative neighbours. Others may need to hold out for Gillian Armstrong's mooted film adaptation of the play.
Photo source: SoACT's Facebook page
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